Using concert footage of the free-improvisation ensemble he co-founded in 1974, Snow digitally weaves together images and sounds from performances that have taken place across the globe. ‘I desired an equivalence of seeing and hearing so that one could actually listen, pay attention to the music, as well as follow the picture development,’ writes Snow. Only the music remains unedited, unmodified. Also see Single Frame Snow in Signals: Regained.
Also in this combined programme
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Snow in Vienna
In the slipstream of one of his many recent exhibitions and retrospectives, documentary filmmaker Kwasnik is following the maestro.
Film details
- Country of production
- Canada
- Year
- 2006
- Festival edition
- IFFR 2013
- Length
- 55'
- Medium/Format
- DCP
