A poetic document of the 2002 edition of Film Farm in which the film makers and the setting are laminated in gorgeous black-and-white in-camera multiple exposures.
A gorgeous surrealistic film that has all of the characteristics of the trance film, structured around a dream sequence that has no real beginning or
A flashing ambiance, embodying rhythm, tone chiaroscuro and contrast, plays on ‘enlightenment’ as an elusive but ubiquitous possibility.
A history of scarred surfaces, an inquiry and an imagining.
A sort of short manifesto of radical queer film making with variations in colour and film surface.
Opening Series 3 explores the relationships surrounding language, image and sound, set to the backdrop of a gravel-pit.
The film maker falls over and over again to become one, in a humorous and bruised way, with the land.
A hand-processed, unedited stream of movements.
Across is shaped through unity; a film about crossing a bridge.
Nostalgia isn’t what it used to be.
Behind This Soft Eclipse is a film poem of the utmost subtlety and finesse, in which images emerge from black only to vanish again.
Scratch conveys the film maker’s physical insertion into nature, only this time the experience is not sensual release, rather it is a sadomasochistic
A film constructed like a spider’s web.
An expression of feelings.