A history of scarred surfaces, an inquiry, and an imagining: For the marks we see and the marks we make, for the languages we can read and for those we are trying to learn. Reproduced by hand on an old contact printer, resulting in individual, unique release prints.
Ook in dit verzamelprogramma
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We Are Going Home
A gorgeous surrealistic film that has all of the characteristics of the trance film, structured around a dream sequence that has no real beginning or -
Fall
The film maker falls over and over again to become one, in a humorous and bruised way, with the land. -
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Scratch
Scratch conveys the film maker’s physical insertion into nature, only this time the experience is not sensual release, rather it is a sadomasochistic -
Phil’s Film Farm Film
A poetic document of the 2002 edition of Film Farm in which the film makers and the setting are laminated in gorgeous black & white… -
Opening Series 3
Opening Series 3 explores the relationships surrounding language, image and sound, set to the backdrop of a gravel-pit. -
The Shape of the Gaze
A sort of short manifesto of radical queer film making with variations in colour and film surface. -
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Behind This Soft Eclipse
Behind This Soft Eclipse is a film poem of the utmost subtlety and finesse, in which images emerge from black only to vanish again. -
Towards Everyday Lightning
A flashing ambiance, embodying rhythm, tone chiaroscuro and contrast, plays on ‘enlightenment’ as an elusive but ubiquitous possibility. -
Film details
- Productieland
- Canada
- Jaar
- 1997
- Festivaleditie
- IFFR 2008
- Lengte
- 14'
- Medium/Formaat
- 16mm
