Landed Takes & Sound Times
Landed Takes & Sound Times
Telemach Wiesinger’s film sequences in Landed Takes run for 3 minutes each and are recorded with a static 16mm camera while travelling. Updated continuously, these location studies are combined in a fresh way for each new projection space. Andreas Gogol’s Sound Times is made up of live improvisations which amplify the visual space with sound collages and experiments, thereby complementing the selected film passages. The expanded cinema performance Landed Takes & Sound Times is a unique interplay between sound and image. ‘Expanded cinema’ stands for an experience which leaves the classic projection room to invent new forms of perception in new cinematographic worlds. For this experience, both artists co-create an entirely new performance which is highly influenced by the location and the audience.
Also in this combined programme
-
Selektion
Looking at dirty pictures; porn films dating from those days have been changed under the skilled hands of experimental film maker Grehm into responsib
-
Still 16
-
-
Tabula Rasa
Ground in hard stone. Filmed on recalcitrant 16mm. Accompanied by uneasy music by the visual film maker himself.
-
Still 16
-
-
Peng-Peng
Experimental film maker rediscovers the Kuleshov effect. From a porn film, he cuts a western and vice versa.
-
Still 16
-
Film details
- Country of production
- Germany
- Year
- 2007
- Festival edition
- IFFR 2007
- Length
- 30"
- Medium/Format
- -
You may also like this
-
Shalmont Field
Short and apparent classic. The female film maker plays both the good and the bad cowboy for the final shoot out.
-
Still 16
-
-
-
Echoes of Bats and Men
With a small bat as the protagonist and its nocturnal flight over historic and industrial Rhode Island.
-
Still 16
-
