The first embodiment of (a) concept of structural activity in cinema, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. (Malcolm Le Grice)
- Director
- Kurt Kren
- Country of production
- Austria
- Year
- 1960
- Festival Edition
- IFFR 2007
- Length
- 3'
- Medium
- 16mm
- Producer
- Kurt Kren
- Sales
- Austria Filmmakers Cooperative