A revision of Bardo Follies, subtitled `the study of newly formed monstrosities’. Its images represent visual phenomena seen during a passage into the afterlife, but also evoke the cellular structure of the filmstrip, and of our own bodies. `The suggestion is that death (destruction of the original image) is not an end but merely the next stage.’
Also in this combined programme
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The Film that Rises to the Surface of Clarified Butter
An illustrator is drawing figures that resemble Tibetan deities. He can’t believe his eyes when they appear to come to life and dance on the
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New Improved Institutional Quality: In the Environment of Liquids and Nasals a .
The IQ test soundtrack is re-used in an entirely new work that is concerned more with the effects on the examinee, who enters a Chinese box of impo
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A Film of Their 1973 Spring Tour Commissioned by Christian World Liberation Front
A radical Christian group’s lecture tour of US colleges was filmed in the cinema vérité style, with hand-held camera, sync and wild sound. To
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Thank You Jesus for the Eternal Present
A rapturous audiovisual mix that `deliberately seeks a hidden order in randomness.’ The film combines the face of a woman in ecstatic, contem
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Wide Angle Saxon
An interpretation of The Confessions of Saint Augustine, featuring an ordinary middle-aged man who undergoes a conversion experience while watching
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“No Sir, Orison!”
After singing a vivacious song of love in the aisle of a supermarket, the performer kneels down to ask forgiveness for those involved in the commer
Film details
- Country of production
- USA
- Year
- 1978
- Festival edition
- IFFR 2005
- Length
- 7"
- Medium/Format
- 16mm
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