Iremar is part of a rodeo troupe that tours the Brazilian northeast. His task is to send bulls into the arena. Intensely exciting physical scenes alternate with contemplative episodes that sketch a painterly portrait of the members of the troupe.
Cameraman Diego Garcia maintains a documentary-like aesthetic to render the dynamics inside the arena. It is a somewhat loose style, combined with symmetrical tableaux reminiscent of the paintings of Johannes Vermeer. The camera is an observer that picks up everyday conversations, such as the whimpering of youngster Cáca. It is also an instrument of wonder, such as during the remarkably lit dance performances of mother Galega.
Seen in this way, the film can be compared to a meandering river. During its quieter stretches the viewer gets to marvel, while its sharp bends expose the changing society of Brazil. It all adds up to a harmonious account of how tradition gradually gives way to industry.
- Director
- Gabriel Mascaro
- Countries of production
- Brazil, Uruguay, Netherlands
- Year
- 2015
- Festival Edition
- IFFR 2016
- Length
- 101'
- Medium
- DCP
- Original title
- Boi neon
- Language
- Portuguese
- Producers
- Rachel Ellis, Sandino Saravia Vinay, Marleen Slot
- Production Companies
- Desvia, Malbicho Cine, Viking Film
- Sales
- Memento Films International
- Screenplay
- Gabriel Mascaro
- Cinematography
- Diego García
- Editor
- Eduardo Serrano, Fernando Epstein
- Production Design
- Maíra Mesquita
- Sound Design
- Mauricio d'Orey
- Music
- Otávio Santos, Cláudio N, Carlos Montenegro
- Cast
- Maeve Jinkings, Juliano Cazarré, Aline Santana
- Local Distributor
- Cinemien
- Website
- http://gabrielmascaro.com