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29 Jan – 8 Feb 2026

Paul de Nooijer

Paul DE NOOIJER (1943–2025, the Netherlands) was a Dutch photographer and filmmaker whose work engaged with surrealism, magic realism and staged imagery. Known for an eclectic approach, absurdist humour and a critical play with perception, his practice contributed significantly to the development of staged photography in the Netherlands from the 1980s onward. Trained as an industrial designer in Eindhoven, De Nooijer began working with photography in the 1960s, initially producing photomontages and later staged scenes and large-scale photographic installations for public spaces. From the 1980s, he increasingly worked with video, music videos, short films and the feature film Exit (1997). Much of his work was developed in close collaboration with his family, including his son Menno de Nooijer and partner Françoise Neeteson. His archive is held by the Mondriaan Fonds.

Filmography

(selection) Moving Stills (1972, co-dir), Say Goodbye (1975), The Pie (1975), 1234 kant (1975), Transformation by Holding Time (Landschap) (1976), Transformation by Holding Time (Artist with Muse) (1976), Review (1976), How to Make a New York Cake (1978), Touring Holland by Bicycle (1981), Tilburg Teachers Trilogy (1981), The Third T(h)est (1981), Tarting Over (1981), Black and White Bathroom (1981), Window Painting (1982), The Shadow and the Substance (1982), The Passive and the Rude (1982), Face Race (1982), Automaddix (1982), N.E.W.S. (1984), Nobody Had Informed Me (1989), At One View (1989), I Should See (1990), Stop the Greenhouse Effect (1992), Exit (1997, feature), Test One Two (2005), Lost in America (2005), Shadows (2009) 

More info: denooijer.org

Paul de Nooijer at IFFR