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29 Jan – 8 Feb 2026

Mark Toscano

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Mark Toscano op IFFR

  • Releasing Human Energies

    Mark Toscano | 6' | USA | None

    A film about control. A surreptitious critique of capitalism in the guise of an instructional film narrated by film artist Morgan Fisher.
  • Sangre de Cristo

    Marcy Saude | 26' | USA | International premiere

    Visions, Comanche chiefs, counterculture refugees and conquistadors are intertwined in this compelling archaeology of the Southern Colorado mountains.
  • Bondage Girl

    Chris Langdon | 6' | USA | None

    Sometimes a cigar is just a cigar. (Mark Toscano) Drugs are bad. (Chris Langdon)
  • — ——

    Thom Andersen, Malcolm Brodwick | 11' | USA | None

    A documentary revolutionary in its unconventionality, which, as a result, captures more about its subject (rock ‘n roll), and more vividly and emotion
  • Dead Reckoning

    David Wilson | 9' | USA | None

    A hand-held shot of a cross in the desert is reframed via optical printing, translating its pictorial movements to explicitly cinematic ones in a subt
  • Venusville

    Chris Langdon, Fred Worden | 10' | USA | None

    The two filmmakers had a bet: how easily can you tell the difference between a moving image of a still object, and a freeze frame…
  • Documentary Footage

    Morgan Fisher | 11' | USA | None

    Morgan Fisher’s rarely seen early masterwork, in which an artist’s model gives an endlessly nuanced performance of self-investigation.
  • Throbs

    Fred Worden | 7' | USA | None

    Fred Worden’s earliest extant film is a moving, celebratory collage of epiphanous moments constructed on an optical printer with an unusual grace and
  • Death of the Gorilla

    Peter Mays | 16' | USA | None

    Peter Mays achieved these hypnotically dense and hallucinatory in-camera super-impositions shooting off the TV with colour filters, then edited the ma
  • Venice Pier

    Gary Beydler | 16' | USA | None

    A breathtaking and achingly humble film in which a year’s worth of non-chronological imagery shot down the entire length of Venice Pier is presented,