Venusville

Also in this combined programme

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  Dead Reckoning

  A hand-held shot of a cross in the desert is reframed via optical printing, translating its pictorial movements to explicitly cinematic ones in a subt

  • Signals: Regained
• 

  Documentary Footage

  Morgan Fisher’s rarely seen early masterwork, in which an artist’s model gives an endlessly nuanced performance of self-investigation.

  • Signals: Regained
• 

  Mirror People

  Kathy Rose’s absurdist animation features numerous grotesque characters noisily inhabiting an uncertain and uneasy environment.

  • Signals: Regained
• 

  7362

  Pat O’Neill’s celebrated mind bomb, the L.A. film that launched a thousand other films. Contact printing, hand processing, and solarisation mix in a b

  • Signals: Regained
• 

  Future Perfect

  A camera follows a map through a defined space, while markings representing the camera’s movements appear on the film strip itself with increasing fre

  • Signals: Regained
• 

  Hand Held Day

  An entire Arizona day in six minutes of Kodachrome, breathtakingly contained in a small mirror held in the filmmaker’s hand.

  • Signals: Regained
• 

  Olivia’s Place

  In 1966, Thom Andersen knew that Olivia’s Place would soon be gone, so he decided to make a film in order to save something of it for the future.

  • Signals: Regained
• 

  By the Sea

  Pat O’Neill’s first film (made with Robert Abel) is an observation and transformation of the fascinating forms to be found at Muscle Beach in 1963.

  • Signals: Regained