Fred Worden
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Fred Worden at IFFR
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Here
George Méliès goes into battle with troops led by Sir Laurence Olivier and our eyes succumb (victorious) to a clash of competing kinetic strategies an
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1859
A meditation on light, filtered through a Fresnel lense, which can ignite objects on contact. ‘LSD is illegal, 1859 is not.’
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When Worlds Collude
When worlds collude, something outside of description is always just about to happen.
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Automatic Writing
Trying out a surrealist practice to negotiate the mysterious zone where light and absence of light come together in a productive form of instability.
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The Or Cloud
A completely organised adventure for the eyes, and as such an adventure for the spirit.
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Venusville
The two filmmakers had a bet: how easily can you tell the difference between a moving image of a still object, and a freeze frame of the same? Pretty
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Throbs
Fred Worden’s earliest extant film is a moving, celebratory collage of epiphanous moments constructed on an optical printer with an unusual grace and
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Possessed
Sequence with a passing train, passengers in motion and a woman standing still on the platform becomes a study of illusionary movements.
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One
In One the maker celebrates the essence of film (dark and light) and enlarges only one film frame, to create an endless dynamic dance of abstract form