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29 Jan – 8 Feb 2026

What (is) Cinema?

Overzicht van films

  • Avalon

    Oshii Mamoru | 106' | Japan | -

    Unlike his previous films, among which the renowned Ghost in the Shell, Avalon is not purely animation. Nevertheless it is again a idiosyncratic film
  • Bardosphère

    Andrzej K. Urbanski | 11' | Poland | -

    A tape that focuses uncompromisingly on the building blocks of every television and computer image: the pixel.
  • Bautismo

    Casey Anna Koehler | 6' | USA | European premiere

    The motif of waves at sea and a feminine figure suggest both a siren and a drowned person, a muse and a victim.
  • Bobrennen im Sommer

    Daniel Zimmermann | 3' | Switzerland | -

    Practising bobsleigh racing in the summer is not such a good idea, or is it?
  • Brain Becoming Digital Prototype

    Dessislava Karushkova | 5' | Bulgaria | -

    To what extent is the image of our brain on a monitor, the reflection or rather a construction of our mind?
  • Cascadence

    Anney Bonney | 4' | USA | -

    A digital evocation of a water surface, disturbed by a pebble and reacting energetically.
  • Central

    Dominique Gonzalez-Foerster | 10' | France | -

    A woman waits for her brother. Melancholy combination of loneliness in the city with the peace of early morning.
  • Chuggy Broadway

    Holger Mohaupt | 3' | United Kingdom | -

    A parody on American patriotism and the suggestion of cultivated violence.
  • The City of Memory

    Liu Wei | 2' | China | -

    Our imagination allows us to wonder how everything might be different if time were to fly backwards.
  • Come Softly

    Bobby Abate | 11' | USA | European premiere

    A provocation that conjures up fantasies and fears through the imagery of aeroplanes and gay erotica.
  • Contemporaries

    Karen Vanderborght | 5' | Belgium | World premiere

    An airport provides the point of departure for a reflection on movement, transport, trance.
  • Corrections and Clarifications

    Lisa M DiLillo | 10' | USA | -

    Based on text taken from the corrections sections of the New York Times and Science Magazine.