The Killers

In this South Korean omnibus film, four filmmakers – with particular but surprisingly cohesive approaches – introduce us to cinematic universes commanded by the presence of killers executing (or failing to execute) their jobs. Meticulous craft and high-pressure emotions.

Four directors, four short stories. From the slightly supernatural to the inspired by actual events, Kim Jong-kwan, Roh Deok, Chang Han-jun and Lee Myung-se introduce us to their cinematic universes bound by the presence of nighthawks and killers. Dark humour, weapons and blood are part of the deal.

Metamorphosis by Kim Jong-kwan weaves a revision of a revered horror figure, seductive and terrifying, in an alluring but suspiciously unpopulated bar at night. Inspired by a real-life case, Roh Deok’s Contractors brings surprising reversals when the chain of hired killers becomes a ring too long. A moody piece set in the 1970s, Everyone Is Waiting for the Man by Chang Han-jun rounds up the usual strangers who after-hours look for a mysterious killer with a tattoo of a narcissus. Silent Cinema by Lee Myung-se unleashes a stylish series of bizarre events when diner employees are surprised by three gangsters.

The Killers showcases the unique approaches of the four directors, entertaining in their own way and, at the same time, delivering a singular cohesive feature. The ever-changing but never-wavering presence of Shim Eun-kyung only adds to the joy of watching this visually rich, meticulously crafted roller-coaster of high-tension emotions.

– Cristina Álvarez López

Trailer

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