Feed Me

  • 60'
  • United Kingdom
  • 2015

Rounding out this deep focus on all things cute is a contemporary allegory for the seven deadly sins, and a satire of the seedy machinations of media and power. Again Maclean is looking to extreme contrasts: young and old, poor and rich, clean and dirty, innocent and corrupt. Though made in 2015, the film feels prescient, especially articulated through the figure of a posh-spoken English gentleman-cum-paedophile.

– Cristina Kolozsváry-Kiss

  • 60'
  • United Kingdom
  • 2015
Director
Rachel Maclean
Premiere
Dutch Premiere
Country of production
United Kingdom
Year
2015
Festival Edition
IFFR 2024
Length
60'
Medium
DCP
Language
English
Producers
Ohna Falby, Steven Bode
Production Companies
Life To Live Films, Film & Video Umbrella
Sales
Too Happy Ltd
Screenplay
Rachel Maclean
Cinematography
David Liddell
Editor
Rachel Maclean
Sound Design
Julian Corrie
Music
Finn Anderson
Director
Rachel Maclean
Premiere
Dutch Premiere
Country of production
United Kingdom
Year
2015
Festival Edition
IFFR 2024
Length
60'
Medium
DCP
Language
English
Producers
Ohna Falby, Steven Bode
Production Companies
Life To Live Films, Film & Video Umbrella
Sales
Too Happy Ltd
Screenplay
Rachel Maclean
Cinematography
David Liddell
Editor
Rachel Maclean
Sound Design
Julian Corrie
Music
Finn Anderson

Programme IFFR 2024

Focus: Rachel Maclean

Scottish multimedia artist Rachel Maclean joins IFFR for two programmes of her work, spanning most of her career. Working across an impressive variety of contemporary cinematic styles from animation to AI, the films share a sinister cuteness and critical view of contemporary culture. Come enjoy the malignant machinations of the media machine, in full colour.

Rachel Maclean is also part of the this year's Art Directions programme with I'm Terribly Sorry (immersive media) and DUCK (installation).

 

And, did you know that Rachel Maclean is also joining us for a Talk this year? Find out more via the button below.

Read more about this programme