Dialogue d'exilés

  • 100'
  • Chile
  • 1974

Shortly after the putsch on 11 September 1973, Raúl Ruiz – together with Valeria Sarmiento – left Chile for Paris. Roughly a month after arriving in France, he began shooting what would become the first Chilean exile feature: Dialogue d'exilés.

Although the title alludes to Bertolt Brecht's 1941 Flüchtlingsgespräche, this is not a tale of two refugees from Nazi Germany meeting to discuss the current world situation. Instead it is a kaleidoscope of impressions consisting of interviews with fellow Chilean exiles talking about the daily problems of living abroad, with no perspective of what the future might bring. There are also a number of scripted scenes in which more problematic, potentially factious, questions are discussed: what image of Chile should be projected abroad, what should be expected from their host nation and its good-willing but maybe politically naive inhabitants. How can the struggle be continued and, perhaps the most contentious, what kind of mistakes were made by the Left. 

Unsurprisingly, the film wasn't embraced by parts of the exile community. Nevertheless, Dialogue d'exilés remains one of the most equivocal works of Chilean exile cinema – an unheroic and ironic film in which things usually unsaid, are said.

– Olaf Möller

Director
Raúl Ruiz
Country of production
Chile
Year
1974
Festival Edition
IFFR 2024
Length
100'
Medium
DCP
International title
Dialogue of Exiles
Languages
Spanish, French
Producer
Valeria Sarmiento
Production Company
Capital Films
Sales
Cinémathèque française
Screenplay
Raúl Ruiz
Cinematography
Gilberto Azevedo
Editor
Valeria Sarmiento
Sound Design
Alix Comte
Cast
Daniel Gélin, Françoise Arnoul, Huguette Faget, Sergio Hernández, Carla Cristi
Director
Raúl Ruiz
Country of production
Chile
Year
1974
Festival Edition
IFFR 2024
Length
100'
Medium
DCP
International title
Dialogue of Exiles
Languages
Spanish, French
Producer
Valeria Sarmiento
Production Company
Capital Films
Sales
Cinémathèque française
Screenplay
Raúl Ruiz
Cinematography
Gilberto Azevedo
Editor
Valeria Sarmiento
Sound Design
Alix Comte
Cast
Daniel Gélin, Françoise Arnoul, Huguette Faget, Sergio Hernández, Carla Cristi

Programme IFFR 2024

Focus: Chile in the Heart

After the coup against the democratically elected government of Chile and the murder of the nation’s president, Salvador Allende, on September 11th 1973, masses of Chileans fled the country for unknown futures far away. In 1974, spearheaded by works like Sergio Castilla’s Pinochet: fascista, asesino, traidor, agente del imperialismo and Raúl Ruiz’s Dialogue d’exilés, a historically unique phenomenon started to take shape: a Chilean cinema in exile. The vast majority of Chile’s film culture had left and were now living spread across different nations, this included already established auteurs like Patricio Guzmán (The Battle Of Chile (Part 1): The Insurrection of the Bourgeoisie), Miguel Littin (Actas de Marusia) and Helvio Soto (La triple muerte del tercer personaje) as well as film students like Sebastián Alarcón (Night Over Chile), Leo Mendoza (Reír o no reír) or Luis Mora (Night of the Captain). Remarkably enough, the resulting production forms a coherent whole: it continues the Chilean cinema of the Unidad Popular, and protests against the fascism at home – while often presenting Chile as but an example for the forms of oppression and terrorism found all over the world. In an age where ever more filmmakers are forced into exile and whole communities are violently displaced, IFFR presents a grand overview of the phenomenon on the occasion of its 50th anniversary. We’ll present some twenty-five features and shorts covering the first decade of production in exile, mixing established classics with shorts and television works hardly seen since their original presentation.

 

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