Ardiente paciencia / Mit brennender Geduld

  • 80'
  • West Germany
  • 1983

When Michael Radford's Il postino (1994) became a surprise world-wide hit, nobody seemed to remember that the story of Pablo Neruda and his postman had already been filmed merely a decade earlier. Nobody, other than Antonio Skármeta, Ardiente paciencia had been his fiction feature debut which he had then adapted into a novel.

Ardiente paciencia has  a simpler, rougher look than Radford's polished and glitzy take on the story; also, it features no major stars, just actors who are perfect for their part. But maybe most importantly: Skármeta's story is set in '60s and '70s Chile while Radford moved it to Italy and back into the '50s. Obviously, this changes a lot: here, the nation's problems under Frei Montalva are a central part of the narrative, as important as postman Mario's love story. Now that the hype around Il postino is dust in the winds of film history, it feels like a high time to return to the source and to finally fully embrace this gem.

– Olaf Möller

  • 80'
  • West Germany
  • 1983
Director
Antonio Skármeta
Countries of production
West Germany, Portugal
Year
1983
Festival Edition
IFFR 2024
Length
80'
Medium
16mm
International title
Burning Patience
Languages
Spanish, French
Producer
Joachim Von Vietinghoff
Production Company
Von Vietinghoff Filmproduktion Gmbh.
Sales
Von Vietinghoff Filmproduktion Gmbh.
Screenplay
Antonio Skármeta, Arthur Rimbaud
Editor
Agape von Dorstewitz
Music
Roberto Lecaros
Cast
Óscar Castro, Roberto Parada, Marcela Osorio, Naldy Hernández
Director
Antonio Skármeta
Countries of production
West Germany, Portugal
Year
1983
Festival Edition
IFFR 2024
Length
80'
Medium
16mm
International title
Burning Patience
Languages
Spanish, French
Producer
Joachim Von Vietinghoff
Production Company
Von Vietinghoff Filmproduktion Gmbh.
Sales
Von Vietinghoff Filmproduktion Gmbh.
Screenplay
Antonio Skármeta, Arthur Rimbaud
Editor
Agape von Dorstewitz
Music
Roberto Lecaros
Cast
Óscar Castro, Roberto Parada, Marcela Osorio, Naldy Hernández

Programme IFFR 2024

Focus: Chile in the Heart

After the coup against the democratically elected government of Chile and the murder of the nation’s president, Salvador Allende, on September 11th 1973, masses of Chileans fled the country for unknown futures far away. In 1974, spearheaded by works like Sergio Castilla’s Pinochet: fascista, asesino, traidor, agente del imperialismo and Raúl Ruiz’s Dialogue d’exilés, a historically unique phenomenon started to take shape: a Chilean cinema in exile. The vast majority of Chile’s film culture had left and were now living spread across different nations, this included already established auteurs like Patricio Guzmán (The Battle Of Chile (Part 1): The Insurrection of the Bourgeoisie), Miguel Littin (Actas de Marusia) and Helvio Soto (La triple muerte del tercer personaje) as well as film students like Sebastián Alarcón (Night Over Chile), Leo Mendoza (Reír o no reír) or Luis Mora (Night of the Captain). Remarkably enough, the resulting production forms a coherent whole: it continues the Chilean cinema of the Unidad Popular, and protests against the fascism at home – while often presenting Chile as but an example for the forms of oppression and terrorism found all over the world. In an age where ever more filmmakers are forced into exile and whole communities are violently displaced, IFFR presents a grand overview of the phenomenon on the occasion of its 50th anniversary. We’ll present some twenty-five features and shorts covering the first decade of production in exile, mixing established classics with shorts and television works hardly seen since their original presentation.

 

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