As anti-Muslim attacks are on the rise in Brexit Britain, Imran Perretta lends his voice to disaffected Muslim youth who the United Kingdom continues to treat as a threat. In this two-screen group testimonial on their troubled upbringing, the young men reclaim their politicised bodies as an instrument to make their own percussive music.
Also in this combined programme
-
Private Properties
A living room shrinks only to expand again in this morphing animation with skilful line work. A forensic study of a private space. -
At Home But Not at Home
A personal exploration of identity, liberation and the diaspora from the shores of Goa to Mozambique and Angola. -
Words Words Words Are Decorative Sounds
Artist’s recollection of learning English. Words, memories and images merge with artificial landscapes, as natural and unsettling as a dream. -
Houses (for Margaret)
Loving, 16mm ode to Scottish poet and avant-garde filmmaker Margaret Tait. Fowler circles her home on Orkney, zooming in on her notebooks. -
As Far as We Could Get
Switching back and forth between two antipodal cities, filmmaker Iván Argote digs an imaginary tunnel between Indonesia and Colombia.
Film details
- Country of production
- United Kingdom
- Year
- 2019
- Festival edition
- IFFR 2020
- Length
- 23'
- Medium/Format
- DCP
