Sanzgiri’s father was 18 when India ousted the last remaining Portuguese colonisers from Goa in 1961. Combining 16mm with drone footage, desktop screenshots, and Skype interviews with his father, Sanzgiri utilises various modes of seeing at a distance to question identity, the construction of memory and anti-colonial solidarity across continents.
Also in this combined programme
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the destructors
Muslim youth of Brexit Britain share their painful experiences of discrimination in this powerful two-screen film, demanding for them to be heard.<
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Private Properties
A living room shrinks only to expand again in this morphing animation with skilful line work. A forensic study of a private space.
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Words Words Words Are Decorative Sounds
Artist’s recollection of learning English. Words, memories and images merge with artificial landscapes, as natural and unsettling as a dream.
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Houses (for Margaret)
Loving, 16mm ode to Scottish poet and avant-garde filmmaker Margaret Tait. Fowler circles her home on Orkney, zooming in on her notebooks.
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As Far as We Could Get
Switching back and forth between two antipodal cities, filmmaker Iván Argote digs an imaginary tunnel between Indonesia and Colombia.
Film details
- Countries of production
- India, USA
- Year
- 2020
- Festival edition
- IFFR 2020
- Length
- 11"
- Medium/Format
- DCP
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