At the Funkhaus studios in East Berlin audio investigator Abu Hamdan recorded stories about court cases that revolved around sounds. Witnesses heard these through walls like in the Oscar Pistorius case. Here, on the threshold of observation, the barrier between public and private becomes diaphanous. No wall is impenetrable.
Also in this combined programme
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The Tree
Meticulously edited, frame by frame, The Hare Krishna Tree comes to life, more than 40 years after the images were shot.
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Specialised Technique
In this found footage film with its distinctive soundtrack the filmmaker studies the colonial perspective, returning authorship to the dancers
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The Protagonists
Dao makes a plea for ‘Domestic Cinema’: plants, a metronome, a clumsy animatronic hand and colorful smoke bombs become characters in he
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Perfect Cut
Diamonds, forever an object of desire, are also the hardest substance on the planet, carving winding lines into our retina.
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Mum, I’m Sorry
The objects found in someone’s pockets – photos, pieces of paper – tell the story of the owner’s life and hopes.
Trailer
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Film details
- Country of production
- Germany
- Year
- 2018
- Festival edition
- IFFR 2019
- Length
- 21"
- Medium/Format
- DCP
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