Perfect Cut
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Diamonds are forever imagined as an object of desire that circulates as condensed wealth. They can easily carve through a lens or blind our eyes, severing our fetishistic attachment to the glitter of commodities. A perfect cut, carving lines into our retina, separating screen and lens, stone and fluid.
Also in this combined programme
-
The Tree
Meticulously edited, frame by frame, The Hare Krishna Tree comes to life, more than 40 years after the images were shot. -
Walled Unwalled
At a Berlin studio, researcher Abu Hamdan recorded stories about court cases that revolved around sounds, heard or experienced through walls. -
Specialised Technique
In this found footage film with its distinctive soundtrack the filmmaker studies the colonial perspective, returning authorship to the dancers. -
The Protagonists
Dao makes a plea for ‘Domestic Cinema’: plants, a metronome, a clumsy animatronic hand and colorful smoke bombs become characters in her film. -
Mum, I’m Sorry
The objects found in someone’s pockets – photos, pieces of paper – tell the story of the owner’s life and hopes.
Trailer
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Film details
- Country of production
- Belgium
- Year
- 2019
- Festival edition
- IFFR 2019
- Length
- 8'
- Medium/Format
- File
- Language
- English
- Premiere status
- World premiere
- Director
- Sirah Foighel Brutmann, Eitan Efrat
- Producer
- Sirah Foighel Brutmann
- Cinematography
- Eitan Efrat
- Editing
- Sirah Foighel Brutmann, Eitan Efrat
- Sound design
- Laszlo Umbreit
- Production company
- Messidor
- Sales / World rights holder
- Messidor