Video-game environments, smeared Google Maps renderings, and sweeping natural vistas all swirl together in Ross Meckfessel’s alluring meditation on the ways in which we look at our world. As drones and GoPros survey every stretch of land, one begins to think of the precarious splendour of our planet – endlessly photographed, but impossible to fully represent.
Also in this combined programme
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this country is lonely
RATGIRL is a digital artist who crafts alluring Instagram stories tracing the echoes of apartheid in South Africa, until she completely loses herself -
I’ve Never Been a Fisherman
Joe Stankus’s profile of filmmaker and street photographer Jay Giampietro and how he captures New York’s strangest citizens on Instagram. -
Please step out of the frame.
Using Super-8, a desk and a laptop, Karissa Hahn creates a playful choreography of body and screen. -
Hi I Need to Be Loved
Marnie Ellen Hertzler hires actors from Craigslist to perform her spam emails in this consideration of modern image-making in an algorithmic era. -
Giverny I (NÉGRESSE IMPÉRIALE)
Shot on location at Monet’s famed garden in Giverny, Ja’Tovia Gary interrogates the white, masculine nature of Western art-historical narr -
Lost Episode
Christopher Radcliff cuts together various reactions to a terrifying, fabricated Mickey Mouse cartoon, in this unsettling experimental piece. -
Little Lower Than the Angels
NEOZOON explores the memeification of American Christian iconography and rituals, finding rhythms and patterns in unlikely places.
Trailer
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Film details
- Country of production
- USA
- Year
- 2018
- Festival edition
- IFFR 2019
- Length
- 11'
- Medium/Format
- 16mm
