Godard still edits on analogue equipment. If he needs to insert an extra scene, he applies a double exposure. Aragno pushes this strategy to its limits and applies it to Godard’s original Le gai savoir (1969). The subject remains the same: a dialogue about the degradation of the French language under the capitalist system.
Also in this combined programme
-
Suite lacustre
Shot entirely from a boat on a lake, this evocative film confronts the viewer resolutely with their sensitivity for the moment. -
Dimanche
On an ordinary road, a couple separate after a weekend away. Patricia needs a breath of fresh air. The beginning of the end? -
Pris dans le tourbillon
“Tell me that story again.” “Story? What story, honey?” A portmanteau film about a hat, playful appearances, desire and a little silence.
Film details
- Country of production
- Switzerland
- Year
- 2017
- Festival edition
- IFFR 2019
- Length
- 7'
- Medium/Format
- DCP
