Jonathan Culp created I Regret at Phil Hoffman’s Film Farm in 2018. From ‘Facebook overshare’ through ‘giving your movie a shitty review’ to ‘missing your own funeral’: everyone has regrets. According to AA’s fourth step, writing these down – either on paper or in big letters in nature – helps. (Vtape)
Also in this combined programme
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À travers la lune
Part science fiction, part homage to film history, this short fuses images of the moon with King Mohammed’s face. -
Kameradin
Based on archival images from Yugoslav cinema, this film shows the fragmented experience of the woman and her broken body. -
Le cinéma en deux
At Claude Chabrol’s request, Patrice Énard arrived on the set of Dr Popal to observe and deconstruct this ‘different’ form of cinema. -
Odessa Crash Test (Notes on Film 09)
A stroller is subjected to a crash test on the Odessa steps, resulting in a mad,Eisenstein-esque ride. -
The Waltons
A re-examination of John-Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerism -
Portrait of Karl Marx as a Young God
This absurd documentary about (political) desire consists of collages and drawings with voice-over comments from a telephone speaker. -
Oneheadword Protection
Oneheadword Protection uses stop-motion animation techniques, irrespective of whether objects, cardboard cut-outs or human bodies are used. -
Even If My Hands Were Full of Truths
Reflecting on the legacy of Chilean dictator Augusto Pinochet, this film contemplates how memory might or might not become history. -
Geschichten vom Kübelkind, Episode 2: Kübelkind’s Kindheit
In the second episode of Kübelkind, an afterbirth leads an independent life – until child welfare comes along. -
Dutch Mountain
With his camera movements and unusual cropping of the image, Jan Dibbets moulds the flat landscape into mountains. -
The Burglary
Vacationing with her family in Spain, a woman returns to her rented summer house, only to find it burgled. -
Slide
As our perception of speed grows faster and visual information is taken over by powerful computers, a strange spectacle arises. -
Film details
- Country of production
- Canada
- Year
- 2018
- Festival edition
- IFFR 2019
- Length
- 8'
- Medium/Format
- File
