Âmes de fous
A few scenes and photos is all that remains of the film Âmes de fou. What might it have been? This performance reconstruction offers one splendid vision.
24'
France
IFFR 2019
Even before the end of WWII in Europe, the Supreme Headquarters Allied Expeditionary Force’s Psychological Warfare Division ordered at the behest of Sidney Bernstein the production of a documentary about the concentration camps, to show the German people the atrocities they were responsible for. Material was collected from Soviet, American and British sources, a treatment written (with some advice from Alfred Hitchcock), the editing process started – till September 9th, when the production was stopped after a rough-cut screening.
At that point, two other films using partly the same material had been finished: Nazi Concentration Camps by George Stevens, presented as evidence at the first Nuremberg Trial, and Death Mills by Hanuš Burger (supervisor: Billy Wilder), screened to the German public starting January 1946. With German Concentration Camp Factual Survey, the Imperial War Museum has attempted to create a version of the project that comes as close as possible to its original form and intent.
IFFR 2019
Programme IFFR 2019
Total cinema: from historical treasures to the edge of the technically possible – film as a laboratory of constant re-invention, an archive of dreams and futures.
Read more about this programmeA few scenes and photos is all that remains of the film Âmes de fou. What might it have been? This performance reconstruction offers one splendid vision.
24'
France
IFFR 2019
When the termination of the film Maritime Climates created a quota problem for Rīgas Kinostudijā, a shelved documentary instead became the loveliest of teenage romances!
76'
Latvia
IFFR 2019
A cinematographically minimalist prose poem crafted using nothing but the titles of movies that are lost. A reverie supreme.
8'
Japan
IFFR 2019