Analysis of Emotions and Vexations
The moods of the Polish poet, musician and artist captured in a sober, yet impressive pencil-drawn animation.
14'
Poland
IFFR 2016
Julia Feyrer and Tamara Henderson’s latest collaboration sees the camera and everyday objects alternate roles between criminal and investigator in this entangled detective story. Filmed at their exhibition in The Banff Centre and Vancouver’s Belvedere apartment complex, the neon-lit crime scenes breathe life into inanimate matter.
Also in this combined programme
Double-Take: Leader of the Syrian Revolution Commanding a Charge
Two similar paintings filmed in detail, one of the French colonial overlord, the other of a Syrian resistance leader. Tough questions about the colonial past.
11'
United Kingdom
IFFR 2016
The Mesh and the Circle
Fragmentary film examines empirical thinking and the tactile; full of brilliant visualisations and analogies. A fascinating labyrinth of a film.
35'
Portugal
IFFR 2016
Poem and Stone
The various colours, smells and flavours of Teheran are almost tangible. Can memories and the desire to be somewhere be captured in images?
11'
Iran
IFFR 2016
- Directors
- Tamara Henderson, Julia Feyrer
- Country of production
- Canada
- Production Year
- 2015
- Festival Edition
- IFFR 2016
- Length
- 10'
- Medium
- 16mm
- Language
- no dialogue
- Producer
- Julia Feyrer
- Sales
- Julia Feyrer
- Screenplay
- Julia Feyrer, Tamara Henderson
- Cinematography
- Julia Feyrer, Tamara Henderson
- Editor
- Julia Feyrer, Tamara Henderson
- Production Design
- Julia Feyrer, Tamara Henderson
- Sound Design
- Julia Feyrer
- Music
- Johan Björck
Programme IFFR 2016
Bright Future Short
Read more about this programmeAlter Senator
Experience an ambitious alcoholic’s life first-hand. Before you know it, he has groped the wrong barmaid.
13'
Germany
IFFR 2016
Analysis of Emotions and Vexations
The moods of the Polish poet, musician and artist captured in a sober, yet impressive pencil-drawn animation.
14'
Poland
IFFR 2016
Bending to Earth
Aerial shots survey what appears to be a dystopian future, revealed as man-made storage sites for radioactive waste in Rosa Barba’s atmospheric 35mm film.
15'
USA
IFFR 2016