What an Excellent Day for an Exorcism
Besides this evocation, Sigg presents Anemic Cinema (2008), a projection of the same scene, now manipulated into an animation film. The artist is interested in the gaps or hollow territories that the cinematographic space can generate, the crease formed by the physical and immaterial space of cinema. See also The Will to Power in Grand Tour.
Also in this combined programme
-
Wide.Love.Resist.Beautiful.Seduction.Violence.Your.Game.
Subverting the codes of the film poster, this in-situ installation evokes the pseudo-narrative of an impossible, yet strangely familiar film. -
Temps mort
Recuperating anonymous home movies, Rigole provides them with new intertitles and an interactive soundtrack on a vinyl record. -
The Gillian Hills Trilogy
Gillian Hills’s cameo appearances in Kubrick’s A Clockwork Orange and Antonioni’s Blow-Up didn’t make her famous, but she did have an intriguing caree -
Photomontage/Mon beau souci
Taking their cue from traditional lobby cards and film posters, these surreal collages offer an alternative film history, based on the cinephile canon -
Black and White Movies
The destruction of a VHS collection is documented by photograms of the material remains. Each film was destroyed in the spirit of its story. -
Joan the Woman – With Voice
Cecil B. DeMille’s 1916 portrait of Jeanne D’Arc is revisited for its special colouring technique when the martyr is seen burning at the stake. This…
Film details
- Country of production
- Mexico
- Year
- 2010
- Festival edition
- IFFR 2014
- Length
- 3'
- Medium/Format
- -
