The Gillian Hills Trilogy
Besides new versions of her notorious ‘threesome’ scenes from Blow Up and Clockwork Orange (one now in ‘real’ time, the other in a random re-edit), the installation prominently features the ‘intercourse’ between the British and American edits of Edmond T. Gréville’s Beat Girl, a lurid genre picture with Gillian Hill in the lead.
Also in this combined programme
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Wide.Love.Resist.Beautiful.Seduction.Violence.Your.Game.
Subverting the codes of the film poster, this in-situ installation evokes the pseudo-narrative of an impossible, yet strangely familiar film. -
Temps mort
Recuperating anonymous home movies, Rigole provides them with new intertitles and an interactive soundtrack on a vinyl record. -
What an Excellent Day for an Exorcism
This small monitor work invites us to mentally step into the frame of the famous bedroom where Linda Blair was confronted with the priests in… -
Photomontage/Mon beau souci
Taking their cue from traditional lobby cards and film posters, these surreal collages offer an alternative film history, based on the cinephile canon -
Black and White Movies
The destruction of a VHS collection is documented by photograms of the material remains. Each film was destroyed in the spirit of its story. -
Joan the Woman – With Voice
Cecil B. DeMille’s 1916 portrait of Jeanne D’Arc is revisited for its special colouring technique when the martyr is seen burning at the stake. This…
Film details
- Countries of production
- United Kingdom, USA
- Year
- 2013
- Festival edition
- IFFR 2014
- Length
- 118'
- Medium/Format
- HDcam
