The title refers to the last images people shoot after they’ve returned from their holidays, in order to fill the reel and send it to the lab. The term also refers to the empty moments, typical for Antonioni’s films. Rigole’s work is both a meditation on cinema, memory and the elusiveness of intimacy.
Also in this combined programme
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Wide.Love.Resist.Beautiful.Seduction.Violence.Your.Game.
Subverting the codes of the film poster, this in-situ installation evokes the pseudo-narrative of an impossible, yet strangely familiar film. -
The Gillian Hills Trilogy
Gillian Hills’s cameo appearances in Kubrick’s A Clockwork Orange and Antonioni’s Blow-Up didn’t make her famous, but she did have an intriguing caree -
What an Excellent Day for an Exorcism
This small monitor work invites us to mentally step into the frame of the famous bedroom where Linda Blair was confronted with the priests in… -
Photomontage/Mon beau souci
Taking their cue from traditional lobby cards and film posters, these surreal collages offer an alternative film history, based on the cinephile canon -
Black and White Movies
The destruction of a VHS collection is documented by photograms of the material remains. Each film was destroyed in the spirit of its story. -
Joan the Woman – With Voice
Cecil B. DeMille’s 1916 portrait of Jeanne D’Arc is revisited for its special colouring technique when the martyr is seen burning at the stake. This…
Film details
- Country of production
- Belgium
- Year
- 2010
- Festival edition
- IFFR 2014
- Length
- 20'
- Medium/Format
- -
