Often implicating the viewer in a voyeuristic situation, Dwoskin uses the camera as an extension of the eye – looking and capturing spontaneously as it relates, responds, feels about the other (the model), the eyes being the extension of the ‘mind’. In this film, these staged meetings take place in retrospect.
Also in this combined programme
-
Cinexpérimentaux Stephen Dwoskin
From his modest home in London, Dwoskin introduces two young documentary makers to his universe of longing and loneliness, both sexual and mental.<
Film details
- Country of production
- UK
- Year
- 2003
- Festival edition
- IFFR 2013
- Length
- 20"
- Medium/Format
- Betacam SP PAL
You may also like this
-
-
Bouncing off the Walls
A recent retrospective stimulated avant-garde legend Tony Conrad to restore video works. Certain tapes could only be made presentable now, with the
-
Empire
Solomon needed only machinima images from the Grand Theft Auto series for his radical and relatively concise remake of Warhol’s classic eight-hour-
