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A haunting, affecting three-minute epic constructed of memorable images and densely imagined narrative fragments distilled to an essence that registers dread, dissolution, fear and despair, but also a bittersweet melancholy, both for an idealised past and a diseased present. (Mark Toscano)
Also in this combined programme
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Eclipse Predictions
Diana Wilson’s beautiful animated tableaux reach their zenith in this film, creating a moving visual catharsis for a childhood tragedy. -
Throbs
Fred Worden’s earliest extant film is a moving, celebratory collage of epiphanous moments constructed on an optical printer with an unusual grace and -
Bertha’s Children
Five middle-aged siblings and their simple behaviours and declarations are intensely ordered and analyzed, rendering a powerfully unusual family film -
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The Divine Miracle
Hyper-stylized imagery of Christ is composited with powerfully weird optical printing work, in this classic vision which took two solid years to produ -
Evolution of the Red Star
courtesy of The iotaCenterThis early Adam Beckett film is a hyper-dense drawn animation looped and expanded via his visionary optical printing. Origin -
Venice Pier
A breathtaking and achingly humble film in which a year’s worth of non-chronological imagery shot down the entire length of Venice Pier is presented, -
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A documentary revolutionary in its unconventionality, which, as a result, captures more about its subject (rock ‘n roll), and more vividly and emotion -
Death of the Gorilla
Peter Mays achieved these hypnotically dense and hallucinatory in-camera super-impositions shooting off the TV with colour filters, then edited the ma
Film details
- Country of production
- USA
- Year
- 1966
- Festival edition
- IFFR 2011
- Length
- 3'
- Medium/Format
- 16mm
- Language
- no dialogue
- Premiere status
- None
- Director
- Bruce Lane
- Producer
- Bruce Lane
- Sales / World rights holder
- Academy Film Archive