The vertical movement of commuters passing through the frame is associated with the verticality of the filmstrip moving through the projector: both give rise to reflection upon the fact and fleeting nature of existence and perception. ‘Without doubt, the sickest joke I’ve ever seen on film.’ – Hollis Frampton.
Also in this combined programme
-
Passage of the Bride
Ready-made of wedding films, dedicated to Rrose Sélavy, the alter ego of Marcel Duchamp. -
Astor Place
The unwritten choreography of the street, filmed at 48 frames a second. -
Kristallnacht
Lyrical and sensual black & white film for Anne Frank, bordering on abstraction. -
Last Lost
Hypnotic parable with an open ending about the adventures of a chimpanzee on Coney Island. -
Glint
About the start of disappearance, hand developed in Phil Hoffman’s Independent Imaging Retreat. -
Water Pulu 1869 1896
This water polo match gives an entirely new meaning to ‘keeping your eye on the ball’.
Film details
- Country of production
- USA
- Year
- 1970
- Festival edition
- IFFR 2007
- Length
- 12'
- Medium/Format
- 16mm
