A Camera Dance creating travelling views of Toronto streets from face-down in the gutter. Edited in-camera, shot at 9fps, using a home-made, water-proof, camera case on a pole.
The film maker improvises a performance for the camera with a small lamp swinging on a long chord. Long exposure times and unexpected lens errors turn
Small scale self-portrait made by the scanty light of a toy.
An action painting made with a Super8 camera of large groups of visitors at different rock concerts.
Performance in which John Porter, with the projector in his hand, provides a stunning surround-Super8 environment.
Magnificent use of the time-lapse technique completes the transformation from fairground attractions to immaterial light objects. Uncomplicated zoomin
For many large children among the viewers, undoubtedly an unexpected sentimental journey. The screen fills up with piles and piles of mini-toys from t
Made in a single shot from the other side of the road. The film maker respectfully portrays a knife & blade sharpener going from door to door.
A dance by the film maker and the camera: turning on a string.
A dizzying centrifuge with the film maker as a stable axis.
A small landscape painting with the still young film maker and his mother, calmly sketching on the edge of an agricultural area.
Toronto’s great annual Christmas Parade, seen from the end of the long and wide University Avenue. Filmed for eight hours at four frames a second.
A beautiful time-lapse registration of hundreds of tables in a large hall that is occupied in a brief time by an equal number of students.
In a short time we see the tight bond visualised between mother and child.
Hypnotic parable with an open ending about the adventures of a chimpanzee on Coney Island.