Hinterlands is part time-lapse study of Northwestern US desert landscapes and part animated fantasy; a sensorial wall of hypnosis-inducing imagery and music, based on a fragment of T.S. Elliot’s The Waste Land. (Brian Short)
Also in this combined programme
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North Southernly
Beautiful convergences: interiors and exteriors enter into a dialogue and condense onto a window in response to the colourful music of John Cage. -
Here
George Méliès goes into battle with troops led by Sir Laurence Olivier and our eyes succumb (victorious) to a clash of competing kinetic strategies an -
Total Power – Dead Dead Dead
A haiku or loveletter to the charm of two-dimensional images. The spectacle hopes for our worship and gives a loving hint towards a conspiracy. -
Sylvania
The set of Bewitched is a spiritual battleground of overlapping zones – human, alien and cyborg – in Bobby Agate’s latest ontological mystery film. -
Krypton Is Doomed
Jacobs creates an impossible space, multi-dimensional and living, against the background of a radio play in which the origins and the flight of a supe -
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Detroit Park
The enormous carcass of the Michigan Theatre, a ruin among ruins, now serves as an inner-city car park and home for ghosts.
Film details
- Country of production
- USA
- Year
- 2004
- Festival edition
- IFFR 2006
- Length
- 4'
- Medium/Format
- DV cam NTSC
