The Glass Wall started as a performance in which two people were permanently in contact with each other through a mobile with a headset, and gave each other orders. In the film, we see two girls cautiously but curiously making each other’s acquaintance. Their conversation soon turns to a charged role play in which sexual tension and manipulation are dominant. The spontaneous balance of power between the manipulator and victim evolves into a delicate understanding.
Also in this combined programme
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This is Rwanda
Based on the traditional African machete (a knife, 581,000 of which were imported into Rwanda before the genocide in 1994) the makers created a futurist… -
21 jul
Old Super8 images of national festivities in Brussels were edited into a snapshot documentary. The short, volatile fragments give an impression of an occupied city.… -
Tacatac
A short and playful animation video that, according to its maker, was `realised as a porn flick’. The narrative element is limited to a number… -
Bataille
Bataille is based on the same procedure as the Papillon D’Amour (see Short Films), a consistently applied play with mirror images. A scene from Rashomon… -
Die Hälfte der Zeit
In a single shot, a static camera films the view from a hill, as if from a military observation post. In the foreground, a telescope.… -
De nazi
A Nazi attempts to justify his acts. The scene is a parody of the `anonymous’ interview: the voice is scrambled and the head is not… -
Kismet
Through personal games, aggression and beauty, different female characters perform the eternal mystical tension between attraction and repulsion. War and eroticism are placed within the… -
_imovie_[one]: The Agony of Silence
With her growing archive of urban images, Els Opsomer comments on and interprets global reality, which she juxtaposes with personal integrity. Also in this video…
Film details
- Country of production
- Belgium
- Year
- 2003
- Festival edition
- IFFR 2004
- Length
- 30'
- Medium/Format
- Betacam SP PAL
