The Oral Thing
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Drawing on the often inane and repetitive nature of daytime television, Melhus creates complex, almost surreal scenarios that parody the formats of TV religious programs, advertisements, and chat shows such as Maury Povitch. In much of his work, Melhus produces strange ‘sets’ that emulate both the physical designs of talk shows, as well as the behavior patterns of participants and audiences. Adopting the guise of both male and female parts in a way that makes each seem almost genderless, Melhus acts out his own ‘narratives’ that use, amongst other devices, music and TV sound excerpts. Jenny Scene is an excerpt of the film Auto Center Drive, an encounter between the voices of two pop icons, Janis Joplin and James Dean.
Also in this combined programme
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Blame
One of the first presentations of this new work by artist David Krippendorf, who explores the connection between glamour and power, eroticism and political ideology.… -
Old Men Trilogy
Glasgow-based artists John Beagles & Graham Ramsay use the content of TV comedy shows, pop music lyrics, and junk food marketing ploys as ‘fodder’ for… -
A PLace to Live
Jonathan Calm combines video, animation, sound, sculpture and drawing to create his own narratives around the architectural and psychological spaces of New York. Reflecting the… -
Light Park #1
Masakatsu’s mesmeric Light Park #1 and #2 derive as much from his interest in the medium of video as in that of music, for which… -
Oh Mein Papa
Zilla Leutenegger references the aesthetics of video games and animation, creating often slow-moving, other-worldly ‘narratives’ such as Oh Mein Papa and Peak. Evoking the power…
Film details
- Country of production
- Germany
- Year
- 2001
- Festival edition
- IFFR 2003
- Length
- 9'
- Medium/Format
- -
- Premiere status
- -
- Director
- Bjørn Melhus
- Sales / World rights holder
- Roebling Hall Brooklyn, Anita Beckers