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28 Jan – 7 Feb 2027

Snarl-UP!!!

Okamoto Akio | Japan | 2001 | 9' | | IFFR 2003

Collage of synchronised sound elements and picture elements. Visual break beats or the atmosphere of a digital interpretation of Len Lye’s Dance of the Rainbow (1936).

Also in this combined programme

  • Bleip: more

    A profusion/confusion of visually and musically exacerbated contradictions produce a hypnotic feeling. Sound and music come together in a unified ballet.

  • Play

    A celebration of friendship, playfulness and harmony, formed through a combination of digital animation, live video and music.

  • Chromaburst

    Super8 footage of neon lights is used as raw material for this abstract film, which has been treated with bleach and inks to create intricate…

  • The Abstraction isn’t Sexually Stimulating

    Anne Mie van Kerckhoven: ‘Animation of a drawing from my subconscious.’

  • Pharmacie

    The blinking neon signs of pharmacies in Cannes a first aid sign for sick people are turning into a competitive meta sign among other urban…

  • Vincit Veritas

    reMi has rummaged through the visual reservoir of Europe’s intellectual history, stopping in the early years of printing. The past is quoted and identified as…

  • Shadow

    About the landscapes of the kitchen. And parts of a woman’s nude body. The film becomes astringent, as it changes from the first half.

  • Five

    An entirely abstract video. Power techno in image and sound.

  • 1305

    Augustin Gimel: ‘A pinhole camera as an instrument to measure luminosity. Birth and growth of light according to Fibonacci’s suite.’

  • Blinq

    Billy Roisz plays with the relationship between sound and image by manipulating electronic fragments, feedback loops and electroacoustic impulses.

  • Pitbudp

    An abstract visual interpretation of a musical piece by Peter Rehberg, built upon a graphic language of moving black & white blocks.

  • Ya Private Sky

    Stom Sogo: ‘Of all the versions of this film (the first part was five hours long), this is the final and really the best version.’

  • WHY Re-Mix 2002

    Manipulation of images of a boxing match. Images are reduced to pixels and dots and filmed again. Originally produced in 1975 as Why.

  • Simone

    Inspired by the game Simone, this project shows us the very disrupted connection between the player and game.
View the entire programme

Film details

Country of production
Japan
Year
2001
Festival edition
IFFR 2003
Length
9'
Medium/Format
bijzondere asp.ratio NTSC