Bleip: more

Also in this combined programme

• 

  Play

  • exploding cinema

  A celebration of friendship, playfulness and harmony, formed through a combination of digital animation, live video and music.
• 

  Chromaburst

  • exploding cinema

  Super8 footage of neon lights is used as raw material for this abstract film, which has been treated with bleach and inks to create intricate…
• 

  The Abstraction isn’t Sexually Stimulating

  • exploding cinema

  Anne Mie van Kerckhoven: ‘Animation of a drawing from my subconscious.’
• 

  Pharmacie

  • exploding cinema

  The blinking neon signs of pharmacies in Cannes a first aid sign for sick people are turning into a competitive meta sign among other urban…

• Vincit Veritas

  • exploding cinema

  reMi has rummaged through the visual reservoir of Europe’s intellectual history, stopping in the early years of printing. The past is quoted and identified as…
• 

  Snarl-UP!!!

  • exploding cinema

  Collage of synchronised sound elements and picture elements. Visual break beats or the atmosphere of a digital interpretation of Len Lye’s Dance of the Rainbow…
• 

  Shadow

  • exploding cinema

  About the landscapes of the kitchen. And parts of a woman’s nude body. The film becomes astringent, as it changes from the first half.
• 

  Five

  • exploding cinema

  An entirely abstract video. Power techno in image and sound.
• 

  1305

  • exploding cinema

  Augustin Gimel: ‘A pinhole camera as an instrument to measure luminosity. Birth and growth of light according to Fibonacci’s suite.’
• 

  Blinq

  • exploding cinema

  Billy Roisz plays with the relationship between sound and image by manipulating electronic fragments, feedback loops and electroacoustic impulses.
• 

  Pitbudp

  • exploding cinema

  An abstract visual interpretation of a musical piece by Peter Rehberg, built upon a graphic language of moving black & white blocks.
• 

  Ya Private Sky

  • exploding cinema

  Stom Sogo: ‘Of all the versions of this film (the first part was five hours long), this is the final and really the best version.’

• WHY Re-Mix 2002

  • exploding cinema

  Manipulation of images of a boxing match. Images are reduced to pixels and dots and filmed again. Originally produced in 1975 as Why.
• 

  Simone

  • exploding cinema

  Inspired by the game Simone, this project shows us the very disrupted connection between the player and game.