Last year, Harun Farocki was present with his installation ‘I thought I was seeing convicts’. This year again he has produced a dialectical, double screen essay. The point of departure is the imagery of the Gulf War, with shots taken directly from the point of view of a projectile. The eye loses its role as a witness, military technologies find their way into everyday life. The result is supervision and control.
Film details
- Productieland
- Germany
- Jaar
- 2001
- Festivaleditie
- IFFR 2002
- Medium/Formaat
- -
- Première status
- International premiere
