Last year, Harun Farocki was present with his installation 'I thought I was seeing convicts'. This year again he has produced a dialectical, double screen essay. The point of departure is the imagery of the Gulf War, with shots taken directly from the point of view of a projectile. The eye loses its role as a witness, military technologies find their way into everyday life. The result is supervision and control.
- Director
- Harun Farocki
- Premiere
- International premiere
- Country of production
- Germany
- Year
- 2001
- Festival Edition
- IFFR 2002
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