Leighton Pierce: ‘A brief moment from my kids’ Halloween party presents an opportunity for a painterly exploration of folded time.’
A humorous, digitally induced meditation on colours, motion and space from a few frames of road-side autumn panorama in upstate New York.
A minimalistic video, a kind of repetitous stammering with complex variations in rhyme and locomotion.
Architecture is unmoored while the animate and inanimate dance in this floating world of high-powered spatial illusionism.
A head-trip to the nether reaches of Neptune’s haunts where tourists glide through guts of glass to ooh and aah at the mysteries of the deep-end.
The Living Room digitally dramatises and multiplies chosen manifestations and implications of ‘On/Off’ and/or ‘Absence/Presence’.
A mystery play of transitory exile and a beguiling reunion.
An antiphon of beckoning. A summons to the underworld of faraway interiors.
Looking out through the window one autumn morning when passing time moves the soul and the heating can be turned on again.
Against the quiet background of a small fishing village on the East coast of Zanzibar, a fire rages in the hearts of three individuals, and the whole
Four fifty-somethings think up a scenario to carry out the perfect robbery.
Dance film about the dramatic division of Siamese twins.