Rotterdam Lab
Rotterdam Lab is a training workshop for producers at the start of their career, with the aim of offering emerging international professionals the means to build and develop their network. Now approaching its 25th edition, this five-day ride of panel sessions, round-tables, and networking events provides a golden opportunity for participants to refine their (co)producing craft and expand their international network.
At the heart of Rotterdam Lab is the opportunity for informal networking opportunities between the attending producers that create lasting connections and networks. Screenwriter and script consultant David Pope is the adviser to the Rotterdam Lab programme and moderates all activities during the training workshop.
Participants are nominated to attend by IFFR Pro’s partner organisation. For the second year running, an open call was launched for the 2025 edition.
Interview with Rotterdam Lab graduate Aiko Masubuchi on Happyend
Masubichi was one of two Rotterdam Lab alumni producers on Neo Sora’s near-future high school drama Happyend, working alongside collaborator and 2023 graduate Albert Tholen. Hear what she had to say about her experience.
Who can attend Rotterdam Lab?
The majority of participants are nominated to attend by IFFR Pro’s partner organisations.
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Rotterdam Lab partners
The participants for 2024 were nominated by the following 43 Rotterdam Lab partners:
- Aflamuna
- Arab Cinema Center
- British Council
- Catalan Films
- Cinecittà
- Croatian Audiovisual Centre
- Danish Film Institute
- Documentary Association of Pakistan (DAP)
- Durban FilmMart
- ECAM Industria
- European Audiovisual Entrepreneurs (EAVE)
- Film -und Medienstiftung NRW GmbH
- Film Development Council of the Philippines
- Film Fund Luxembourg
- Flanders Audiovisual Fund
- German Films
- The Gotham Film & Media Institute
- Great Lakes Creative Producers Lab
- Greek Film Centre
- Guanajuato International Film Festival
- IEFTA
- JAFTA / JAMPRO
- KOFIC
- Locarno Film Festival – Open Doors
- MIDPOINT Institute
- Netherlands Film Fund
- Norwegian Film Institute
- Proimagenes Colombia
- Projeto Paradiso
- Realness Institute
- Royal Film Commission Jordan
- Screen Ireland
- Screen Scotland
- Singapore Film Commission
- Sundance Institute
- Swedish Film Institute
- Swiss Films
- Taiwan Creative Content Agency (TAICCA)
- Telefilm Canada
- Unifrance
- VIPO
- Wallonie Bruxelles Images
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Participants 2024
- Alex Polunin, Sundance Institute, United Kingdom
- Alicia Ni Ghráinne, Screen Ireland, Ireland
- Alyaa Musa, IEFTA, Sudan
- Ana María Mayo, Proimagenes Colombia
- Asta Stuhr, Danish Film Institute, Denmark
- Babalwa Baartman, Realness Institute, South Africa
- Bambby Cheuk, Singapore Film Commission, Singapore
- Ben De Raes, Flanders Audiovisual Fund, Belgium
- Çağdaş Yüksel, Film -und Medienstiftung NRW GmbH, Germany
- Caroline Hitland, Norwegian Film Institute, Norway
- Chantal Scheiner, Swiss Films, Switzerland
- Christelle Younes Aflamuna, Beirut Cinema Platform, Lebanon
- Claudio Montesano Casillasn, Netherlands Film Fund, Netherlands
- Dida Nibagwire, Great Lakes Creative Producers Lab, Rwanda
- Diego Saniz, ECAM – La Incubadora, Spain
- Dylan Klass, Wallonie Bruxelles Images, Belgium
- Eduardo Tello, Peru
- Enea Gramo, European Audiovisual Entrepreneurs (EAVE), Albania
- Evan Horan, European Audiovisual Entrepreneurs (EAVE), Ireland
- Fatma Racha Shehadeh, Arab Cinema Center, Lebanon
- Franco Bautista, Guanajuato International Film Festival, Mexico
- Frédéric Zeimet, Film Fund Luxembourg, Luxembourg
- Gema Arquero, Catalan Films, Spain
- Geo Lomuntad, Film Development Council Of The Philippines, Philippines
- Ghaidaa Abuazzah, Arab Cinema Center, Saudi Arabia
- Hadeel Lawi, Royal Film Commission, Jordan Jordan
- Hugh Mann Adamson, British Council, United Kingdom
- Hyunmin Choi, KOFIC, South Korea
- Irene Muñoz Martin, Swiss Films, Switzerland
- Ivana Urízar, Locarno Film Festival, Paraguay
- Jacopo Pica, Cinecittà S.p.A., Italy
- Joseph Balass, Telefilm Canada, Canada
- Joyce Chou, TAICCA, Taiwan
- Jules Reinartz, Unifrance, France
- Kanwal Khoosat, Documentary Association of Pakistan, Pakistan
- Katharina Weser, German Films, Germany
- Kentaro Hayashi, VIPO, Japan
- Kesmat El Sayed, Arab Cinema Center
- Laura Egidos, Catalan Films, Spain
- Leen Al Hamarneh, Royal Film Commission Jordan, Jordan
- Liliana Lasprilla, Portugal
- Madeleine Davis, Telefilm Canada, Canada
- Madhiha Duynhouwer, Netherlands Film Fund, Netherlands
- Manuela Buono, Cinecittà S.p.A., Italy
- Maria Caruana Galizia, British Council, United Kingdom
- Maria Laskaridou, Greek Film Center, Greece
- Marta Gmosińska, Poland
- Mette Mikkelsen, Danish Film Institute, Denmark
- Mica Oliveros, Film Development Council Of The Philippines, Philippines
- Ming-Jung Kuo, TAICCA, Taiwan
- Mirjam Gelhorn, Swedish Film Institute, Sweden
- Nika Obucina, Croatian Audiovisual Centre, Croatia
- Patricia D’Intino, Hungary
- Paul Fitzsimons, Screen Ireland, Ireland
- Ross McKenzie, Screen Scotland, United Kingdom
- Sacha Gertsik, Netherlands Film Fund, Netherlands
- Satoko Sekiguchi, VIPO, Japan
- Shehrezade Mian, Telefilm Canada, Canada
- Sophia Sim, Singapore Film Commission, Singapore
- Sophie D’Souza, Danish Film Institute, Denmark
- Sophie Luo, The Gotham Film & Media Institute, United States
- Sophie Roudaut, Unifrance, France
- Sphe Dludlu, Durban FilmMart/Durban Film Office, South Africa
- Steffi Köhler, Film -und Medienstiftung NRW GmbH, Germany
- Tanya Batson-Savage, JAMPRO /JAFTA, Jamaica
- Tara Sheffer, The Gotham Film & Media Institute, United States
- Tiê Villares, Projeto Paradiso, Brazil
- Tomáš Pertold, MIDPOINT, Czech Repuplic
- Tricia Sello, Botswana
- Valerie Castillo Martínez, Sundance Institute, United States
- Viktor Baran Gelir Enoksen, Norwegian Film Institute, Norway
The participants for Rotterdam Lab are emerging producers, who should have produced at least one or two short films, and not more than two feature films. These conditions are set to make sure that the level of the group is balanced and that the producers are more or less in the same stage of building their career.
Open call for the 2025 edition
Aiming to maximise the plurality of voices, backgrounds and experiences in the Rotterdam Lab cohort, an open call was launched ahead of the 2025 edition. The deadline is 21 October.
Contact
For any further questions about Rotterdam Lab, contact Talent Manager Facundo Lema and Head of Pro a.i. Alessia Acone.