Okuyama Jun’ichi
OKUYAMA Jun’ichi (1947, Tokyo) graduated from Tamagawa University. He consistently offers a radical expression of cinema itself, using diverse and wide-ranging techniques.
Filmography
(selection, all short) Nothing (1964), Bang Voyage (1967), Frameless 35 (1968), Cut-Off Movie (1969), Zero-man co.LTD (1969), Being Painted (1970), Yellow JAP (1970), Outrage (1971), No Perforations (1971), Frameless 16 (1971), Paper Film (1972), Sightseeing Film (1973), Le cinema (1975), Human Flicker (1975), Swing Movie (1975), Origin of Motion Picture (1978), My Movie Melodies (1980), Movie Watching (1982), Cinemassage (1985), Bacchanalia for Roading Films (1985), A Man Playing Movie (1987), Frames of Movie (1988), The Time Slit (1989), At a Same Time Expose Both Sides (1990), Spend My Days in Movie (1992), A Sun-Picture Movie (1993), Osmography (1994), Stop Motion (1995), Inga no sekai/Touch of Inga (1996), My Self-Timer (1997), Sandwiches (1998), Swing Movie ’98 (1998), In the Light (1999), Sync Pic (2001), Half DEV. (2002), The Deviation of the Movie Time (2003) 3D Gooooo! (2004, DEV-18 (2005), Regular8 is 16mm Film (2006)
Okuyama Jun’ichi op IFFR
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My Movie Melodies
Okuyama Jun’ichi | 7' | Japan | None
We hear for the first time / The sound of the image itself. -
A Man Playing Movie
Okuyama Jun’ichi | 10' | Japan | None
A brief meditation on film’s fundamental frailty as a key condition for cinema’s unique beauty. -
Le cinéma
Okuyama Jun’ichi | 5' | Japan | None
“A film for those who know nothing about cinema… what it is, and how it is made.” -
Regular8 is 16mm Film
Okuyama Jun’ichi | 11' | Japan | None
Humorous experimental film that looks beyond the boundaries of the film format. -
Touch of Inga
Okuyama Jun’ichi | 11' | Japan | None
A negative print from the original negatives. This negative projection allows us to reconsider the various processes inherent in filmmaking. (Image Fo -
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