Ken Jacobs
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Ken Jacobs at IFFR
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The Surging Sea of Humanity
Ken Jacobs | 11' | USA | World premiere
A stereograph of the crowd at the opening of the US Centennial Exposition of 1893 turns into a movie, into an enormous rugged 3-D landscape. -
Capitalism: Child Labor
Ken Jacobs | 14' | USA | World premiere
The industry and production of many nations. -
Two Wrenching Departures
Ken Jacobs | 90' | USA | International première
For a long time, the pioneering experimental films of Ken Jacobs only existed in live performances, legendary and not often seen. Thanks to digital te -
Krypton Is Doomed
Ken Jacobs | 34' | USA | European premiere
Jacobs creates an impossible space, multi-dimensional and living, against the background of a radio play in which the origins and the flight of a supe -
Let There Be Whistleblowers
Ken Jacobs | 18' | USA | World premiere
Beautiful and sparing percussion by Reich. Beautiful and sparing images of trains by Jacobs. Two great masters in a small film. -
Anaglyph Tom (Tom with Puffy Cheeks)
Ken Jacobs | 110' | USA | World premiere
Ken Jacobs revisits the 1905 source of his 1969 structuralist film masterpiece, Tom Tom the Piper’s Son. He applies the anaglyph 3-D process to the… -
The Surging Sea of Humanity
Ken Jacobs | 11' | USA | -
A stereograph of the crowd at the opening of the US Centennial Exposition of 1893 turns into a movie, into an enormous rugged 3-D landscape. -
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Ontic Antics Starring Laurel and Hardy; Bye, Molly!
Ken Jacobs | 90' | USA | World première
Avant-garde master makes Laurel and Hardy hallucinating. The warning reads: not for epileptics. For the connoisseur, that should say enough.
