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29 Jan – 8 Feb 2026

Jang Sun-Woo

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Jang Sun-Woo op IFFR

  • Lies

    Jang Sun-Woo | 112' | South Korea | -

    The explosive love affair between a schoolgirl and her married lover of 38. Frank portrait by Jang of an obsessive and destructive sado-masochistic vo
  • Resurrection of the Little Match Girl

    Jang Sun-Woo | 125' | South Korea | -

    Unpredictable look at H.C. Andersen’s famous fairytale about the match girl is essential viewing for gamers and Jang Sun-Woo fans. In the virtual and
  • So Cute

    Kim Soo-Hyun | 115' | South Korea | -

    Strange guys, those Koreans. Anarchic humour and energetic idiocy rule the roost in this eccentric renovation-district satire about three half-brother
  • The Road to the Racetrack

    Jang Sun-Woo | 138' | South Korea | -

    Masterful film about a contemporary relationship between a man and woman who were lovers in Paris and have now returned to Korea.
  • Timeless, Bottomless, Bad Movie

    Jang Sun-Woo | 138' | South Korea | -

    This stunning film by a former film-maker in focus is a kaleidoscope of self destruction, drugs use, petty crime, sex, prostitution and lost lives aro
  • Seoul Jesu

    Jang Sun-Woo, Sun-Woo Wan | 102' | South Korea | -

    Jang and his example Sun-Woo made films about religion, politics and/in the city of Seoul. They emerged from the Korean underground and were banned by
  • The Road to the Racetrack

    Jang Sun-Woo | 138' | South Korea | -

    Masterful film about a contemporary relationship between a man and woman who were lovers in Paris and have now returned to Korea.
  • Neoege narul bonenda

    Jang Sun-Woo | 107' | South Korea | -

    Salacious contemporary social satire exposes the dark side of the nineties in a masterful way.
  • Songgong sidae

    Jang Sun-Woo | 105' | South Korea | -

    Jang’s début is a rough satire about the consumer society, in which super salesman Kim turns a failing company into market leader.
  • Gilwe ui younghwa

    Jang Sun-Woo | 52' | South Korea | -

    Chronological documentary report of Jang’s quest for the identity of South Korean cinema.