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29 Jan – 8 Feb 2026

Arnaud Larrieu

Arnaud LARRIEU (1966, France) is a scriptwriter and director of short films, features and documentaries. He usually works with his elder brother Jean-Marie (1965). Their films Roland’s Pass (2000) and Love is the Perfect Crime (2013) were screened at IFFR. To Paint or Make Love (2005) was nominated for a Golden Palm. 21 Nights with Pattie (2015) was his eighth feature film. Tralala was selected for IFFR 2022.

Filmography

Temps couvert (1988, short), Ce jour-là (1992, doc, co-dir), Bernard ou les Apparitions (1993, short), Fin d’été/Summer’s End (1999, co-dir), La breche de Roland/Roland’s Pass (2000, co-dir), Madonna à Lourdes (2001, short, co-dir), Un homme, un vrai/A Man, a Real One (2003, co-dir), Peindre ou faire l’amour/To Paint or Make Love (2005, co-dir), Les fenêtres sont ouvertes (2005, doc, co-dir), Le voyage aux Pyrénées (2008, co-dir), Les derniers jours du monde/Happy End (2009, co-dir), L’amour est un crime parfait/Love is the Perfect Crime (2013, co-dir), 21 nuits avec Pattie/21 Nights with Pattie (2015, co-dir), Tralala (2021)

More info: Wikipedia, Arnaud Larrieu

Arnaud Larrieu at IFFR

  • Tralala

    Jean-Marie Larrieu, Arnaud Larrieu | 120' | France | None

    Mathieu Amalric shines as a modern troubadour in this quirky French musical, that travels from Paris to Lourdes.
  • Tralala

    Jean-Marie Larrieu, Arnaud Larrieu | 120' | France | None

    Festival Scope Pro availability TBC
  • La brèche de Roland

    Jean-Marie Larrieu, Arnaud Larrieu | 47' | France | -

    Beautifully photographed, loving story describes the vicissitudes of a family of four in the Pyrenees.
  • L’amour est un crime parfait

    Arnaud Larrieu, Jean-Marie Larrieu | 111' | France | None

    In the wintry Alps, the life of a womanising professor (Mathieu Amalric) gets even more complicated when a pretty student disappears. Her beautiful st
  • 21 nuits avec Pattie

    Arnaud Larrieu, Jean-Marie Larrieu | 115' | France | None

    Caroline arrives in a village in the Pyrenees for her mother’s funeral. Unexpectedly, the corpse has gone missing. In the good company of Pattie, Caro