Sasha Waters

Sasha WATERS (1968, US) is a moving image artist trained in photography and 16mm cinema. Her films pursue ecstatic, metaphorical realism from the relations and materials of ordinary life. Working across a range of forms – feminist experimental, essay, collage-based and nonfiction, her films have been exhibited at Kassel Dokfest, Rencontres Internationales Paris/Berlin, Microscope Gallery, Anthology Film Archives, Pacific Film Archive, the Brooklyn Museum, Union Docs, the Library of Congress and the Speed Art Museum among other international venues. Her films have been screened at festivals such as IMAGES in Toronto, the San Francisco International Film Festival, IFFR, Tribeca, Ann Arbor, Woodstock, Chicago Underground and Palm Springs International Film Festival. Waters won a Special Jury Prize in Documentary at the 2018 SXSW Film Festival.

Filmography

Whipped (1998, doc), Razing Appalachia (2003, doc), This Existence is Material (2003, short), The Waiting Time (2005, short), Her Heart is Washed in Water & then Weighed (2006, short doc), This American Gothic (2008, doc), Chekhov for Children (2010, doc), You Can See the Sun in Late December (2010, short), An Incomplete History of the Travelogue, 1925 (2012, short), Our Summer Made Her Light Escape (2012, short doc), An Incomplete History of Pornography, 1979 (2013, short), Burn Out the Day (2014, short), A Partial History of the Natural World, 1965 (2015, short), Garden of Stone (2015, short), dragons & seraphim (2017, short), Garry Winogrand: All Things are Photographable (2018, doc), Respiration (2019, short), Fragile (2022, short), Ashes of Roses (2023, short), Ghost Protists (2024, short)

More info:
Sasha Waters 
Wikipedia, Sasha Waters