Philip Solomon
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Philip Solomon at IFFR
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Twilight Psalm II: Walking Distance
Phil Solomon, magician of film-chemical manipulation, has developed his very own original visual language in the course of his career. Walking Distanc
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Short: Starting from Scratch
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Passage of the Bride
Ready-made of wedding films, dedicated to Rrose Sélavy, the alter ego of Marcel Duchamp.
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Short: Starting from Scratch
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Untitled (for David Gatten)
A valentine card or a greetings card, a well meant homage to courage and perseverance in the form of a videogame that Wittgenstein could play.
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Cinema Regained
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The Exquisite Hour
Sublime Super-8 contemplation is reminiscent of a complex layered dreamscape.
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Short: Starting from Scratch
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Rehearsals for Retirement: In Memoriam Mark LaPore
In memoriam – Mark LaPore. Darkness at the edge of town, light at the end of the tunnel, a stalled hearse and fires on the plain.
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Short: As Long As It Takes
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Psalm III: Night of the Meek
Philip Solomon: ‘A Kindertotenlied in black and silver, on a night of gods and monsters. In Germany, before the war: I’m looking at the river, but I’m thinking of the sea, thinking of the sea.’
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exploding cinema
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Empire
Solomon needed only machinima images from the Grand Theft Auto series for his radical and relatively concise remake of Warhol’s classic eight-hour-lon
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Signals: Regained
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The Emblazoned Apparitions
In this hommage to the end of cinema, disintegrating slapstick footage is haunted by the voices of Thomas Edison and Harry Houdini.
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Signals: Regained
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