Peter Kubelka
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Peter Kubelka at IFFR
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Unsere Afrikareise
Under the guise of a conventional amateur travelogue portraying a safari, Kubelka confronts us with a cunning cultural analysis of the hunt for images
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Schwechater
Supposedly shot as a commercial for an Austrian beer, Kubelka drastically edited the material into a hermetic yet fascinating cinema object.
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Arnulf Rainer
This is a film composed entirely of solid black and solid white frames, strung together in lengths as long as 24 frames and as short as a single frame
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Notes on Marie Menken
Diary like portrait in which friends reminisce about the grand old lady of the American avant-garde: Marie Menken (1909-1970). She inspired artists su
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Arnulf Rainer
This is a film composed entirely of solid black and solid white frames, strung together in lengths as long as 24 frames and as short as a single frame
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Dichtung und Wahrheit
Discarded takes from advertising films are presented almost untouched, as documents that unwittingly offer valuable and humorous insights into the hum
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Peter Kubelka Presents: Bread, Butter and Other Metaphors
“Objects of art may be edible, like a buttered slice of bread or they may be inedible, like ordinary sculpture.” Avant-garde monument Peter Kubel
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Adebar
Kubelka strips the images down to their black-and-white essentials, to create the ultimate abstract film choreography.
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Schwechater
Supposedly shot as a commercial for an Austrian beer, Kubelka drastically edited the material into a hermetic yet fascinating cinema object.
