Manon de Boer
More information will follow soon.
Manon de Boer at IFFR
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Strange and beautiful, unknown, complicated slide projection
This slide projection on an empty book (duration about 15 minutes) was created by Manon de Boer in collaboration with Annemiek de Haan, Chloë Marti
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Two Times 4’33”
Based on John Cage’s composition 4’33” (1952), the artist filmed two performances of the same piece to explore the impact on the viewer.
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Presto, Perfect Sound
During the International Film Festival Rotterdam, Witte de With presents an exhibition of two films by Brussels-based artist Manon de Boer (b. 1966
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Sylvia Kristel – Paris
When does a recording become a portrait? When we find something unique in it? Or when we recognise it somehow? Ten years ago, Manon de Boer started
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sequenza
Intimate film based on the composition Sequenza VIII for solo violin. Body and instrument dissolve into abstract details and dance off into the sou
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Sylvia Kristel – Paris
When does a recording become a portrait? When we find something unique in it? Or when we recognise it somehow? Ten years ago, Manon de Boer started
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Sylvia, March 1, 2001 Hollywood Hills
Manon de Boer puts Sylvia Kristel in front of the camera as if she has to do a screentest. In the Nederlands Fotomuseum.
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Think About Wood, Think About Metal
Fragments of the life and thinking of percussionist Robyn Schulkowsky are situated in the history of avant-garde music during and after the 1970s.<
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Dissonant
A recording by the visual artist Manon de Boer of a dance in which both the dancer and the viewer are challenged to fill in empty spaces.