Joachim Von Vietinghoff
More information will follow soon.
Joachim Von Vietinghoff at IFFR
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The Man from London
Plesently slow, moody and – for Tarr – short film version of Simenon’s crime novel from 1933, shot in glorious black & white
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Kleine Kreise
Father and son turn to go-karting, and spend the summer going from one race to another, without much success. Aesthetic film with ordinary folksy c