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29 Jan – 8 Feb 2026

Jean-Marie Larrieu

Jean-Marie LARRIEU (1965, France) is a scriptwriter and director of short films, features and documentaries. He usually works with his younger brother Arnaud (1966). Their films Roland’s Pass (2000) and Love Is the Perfect Crime (2013) were screened at IFFR. In 2005, To Paint or Make Love was nominated for a Golden Palm. 21 Nights with Pattie (2015) was his eighth feature film. Tralala was selected for IFFR 2022.

Filmography

Court voyage (1987, short), Les baigneurs (1991, short), Ce jour-là (1992, doc, co-dir), Fin d’été/Summer’s End (1999, co-dir), La breche de Roland/Roland’s Pass (2000, co-dir), Madonna à Lourdes (2001, short, co-dir), Un homme, un vrai/A Man, a Real One (2003, co-dir), Peindre ou faire l’amour/To Paint or Make Love (2005, co-dir), Les fenêtres sont ouvertes (2005, doc, co-dir), Le voyage aux Pyrénées (2008, co-dir), Les derniers jours du monde/Happy End (2009, co-dir), L’amour est un crime parfait/Love is the Perfect Crime (2013, co-dir), 21 nuits avec Pattie/21 Nights with Pattie (2015, co-dir), Tralala (2021)

More info: Wikipedia, Jean-Marie Larrieu

Jean-Marie Larrieu op IFFR

  • Tralala

    Jean-Marie Larrieu, Arnaud Larrieu | 120' | France | None

    Mathieu Amalric shines as a modern troubadour in this quirky French musical, that travels from Paris to Lourdes.
  • Tralala

    Jean-Marie Larrieu, Arnaud Larrieu | 120' | France | None

    Festival Scope Pro availability TBC
  • La brèche de Roland

    Jean-Marie Larrieu, Arnaud Larrieu | 47' | France | -

    Beautifully photographed, loving story describes the vicissitudes of a family of four in the Pyrenees.
  • L’amour est un crime parfait

    Arnaud Larrieu, Jean-Marie Larrieu | 111' | France | None

    In the wintry Alps, the life of a womanising professor (Mathieu Amalric) gets even more complicated when a pretty student disappears. Her beautiful st
  • 21 nuits avec Pattie

    Arnaud Larrieu, Jean-Marie Larrieu | 115' | France | None

    Caroline arrives in a village in the Pyrenees for her mother’s funeral. Unexpectedly, the corpse has gone missing. In the good company of Pattie, Caro